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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Roy de Mastre, c. 1930

An Intimate Portrait of an Australian Artist in 1930

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Portrait 47

Spring/Summer 2014

This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.

Mick Fanning at Snapper Rocks

Beach scene

Magazine article by Andrew Maccoll, 2012

Photographer Andrew Maccoll tells the story behind his portrait of dual world champion pro surfer Mick Fanning.

Step by Step

Journey into Headspace...

Magazine article by Katherine Russell, 2007

The theme for the National Portrait Gallery's eighth exhibition of student portraiture was The Journey.

Rex at Maroubra, 2011

Observation point

Magazine article by Nicholas Harding, 2013

Nicholas Harding describes his enduring fascination with drawing and painting people.

Francois-Marius Granet, 1807

Ingres in Paris

Magazine article by Andrew Sayers AM, 2006

Jean-Auguste-Dominique Ingres was one of the greatest portrait painters in history.

Fairweathered, 2012

Observation point

Magazine article by Laith McGregor, 2013

Laith McGregor's fascination with the human form stems from an imaginary childhood friend.

Theodore Twombly by Alice Carroll

A.I.

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman ponders our digital identity and selfhood.

Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

Mirror Mirror: Graeme Murphy

Reflections on a Hologram

Magazine article by Sam Bowker, 2005

Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.

Bed piece, 1972 by Chris Burden

The boy, the bed and the gun

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman contemplates the provocative performance art of Chris Burden.

Self portrait

Portrait of a Modernist

Magazine article by Dimity Goldie, 2003

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Elle Macpherson

Australian visit in Denmark

Magazine article by Mette Skougaard, 2006

In April 2006 the National Portrait Gallery showcased Australian portraits at the Fredenksborg Castle in Denmark.

Pierre de Rigaud de Vaudreuil de Cavagnial, Marquis de Vaudreuil, ca.1753-55

Canadian identities

Magazine article by Lilly Koltun, 2004

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency